Tagged with Graphic Poem

Poetry Comics Panel Discussion at NYU / Dave Morice!


Blind to Blue is still on the back burner as I finish up Bones with Melissa Broder. Above is a snippet from one of my earliest poetry comics because there is a lot of amazing news in the world of Poetry Comics.

First, I’m going to be participating in a panel discussion entitled ‘Poetry and Visual Arts Roundtable’ at New York University Friday, February 17th. The panel includes myself, Sommer Browning, Bianca Stone, Mark Leidner, Mahendra Singh and the conversation will be moderated by Matthea Harvey.

I suspect there will be much talk of poetry and comics as individual forms and combined. Therefore, if you are a fan of either or both, or make them yourself I hope you come by and join the discussion.

Second, Dave Morice is back in a huge way!

In the late ‘70s, Dave Morice was the first person to seriously and consistently combine comics and poetry, and coined the term “poetry comics.” An author and poet himself, he adapted the works of his favorite poets including of Walt Whitman, Ezra Pound, Robert Browning and so many more. His work is collected in two easy to get anthologies.

As far as I could tell, Mr. Morice had moved on from poetry comics to tackle a number of other fascinating projects and forms. He’s the hero I didn’t know I had until recently. Almost any good idea I’ve had, he had first, better and 10 years before I was born.

Just a few months ago, I had been trying to figure out how to get a hold of him. I became discouraged when I didn’t know how to easily approach him. You may remember me muttering about him under a comic last November. Suddenly last night, I saw that he had made a facebook page (of course). More importantly, he’s back to making poetry comics, or perhaps never quit. Even better, he’s taking poem submissions to be drawn (by him) as comics in his new online version of his Poetry Comics series.

Go, read comics, submit. It’s like finding out Party Down is back.

I’m going to go be a nerd and email him now.

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Toddlers & Tiaras & Vermin on TheTHE Poetry

Very happy to say that Toddlers & Tiaras & Vermin is now available in its entirety on the TheTHE Poetry Blog. A perfect home, it is featured as part of Bianca Stone‘s ongoing series of Poetry Comics. Have a look, it will improve your quality of life and give you the second sight. I want to thank Bianca for her kind words about my work.

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Blind to Blue – Page 3

 

 

 

 
To my knowledge, the New York Public Library should be open today for my hunting trip for out-of-print, Dave Morice books about poetry comics. If anyone has contact with Mr. Morice, I’d certainly enjoy asking him some questions. He’s rad.

What word do you like the repeat aloud? Type it (repeatedly) in the comments to test my sanity.

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Blind to Blue – Page 2



 

 

 

Page 2!

Today, I’m going to the New York Public Library to track down out of print copies of Dave Morice‘s books of poetry comics. I haven’t read any of his work that I haven’t found online. I’ll update you as to what I discover.

UPDATE!

The library is closed for Veteran’s day. So that’s over.

What do you think I should do today?

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Blind to Blue – Page 1


 

 

 

Here is the first page of my new web series. Click and zoom to enlarge. I hope to post regularly on Fridays. This is a longer run of my poetry comics. For more on what that means peek at In Defense of Poetry… Comics. Also, check back regularly as I plan to make more posts discussing the topic of poetry vis-à-vis comics. As always, if you have thoughts on or make poetry comics get yourself in touch.

Continue reading

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Matthea Harvey Collaborative Comic


Loaded Bicycle‘s new issue is live! This issue includes my collaborative poetry comic with the extremely talented Matthea Harvey.

The issue is wonderful, to get started I also recommend Kate MacDowell, Tricia Taaca, Gabriella Barouch or C.A. Conrad.

Also, find the BONUS material for a me-related surprise.

The comic is the tallest I’ve ever made measuring 5 3/4 feet tall.

It was a pleasure and an honor to work with Matthea, and a special thank you to the children of the Summer Youth Musical Theater Program of Globe, AZ for posing as models for the comic.

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TEST FOR EYE MITES

To use eye chart stand at 1-2 foot distance with chart level to the viewer. Relax eyes allowing both to cross until Es overlap. Words may appear at various distances. If the patient uses eyeglasses for vision correction, the lenses should be worn during the test.

A poem I made when I was experimenting with proximity and depth in poetry and writing.

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OuBaPo Constraint – The Scramble

I developed my own poetic/comic constraint modeled after those of the OuBaPo. I call it “scramble” and employed it to make a comic titled “Chiggers.”

“Scramble” breaks up a comic into several interchangeable parts. These components are set and unchanging but rearranged within the comic and repeated to change the interrelationship of image and text with each successive panel.

For “Chiggers” the words/dialog, the subject of the panel, and the panel backgrounds/settings can be rearranged. The order of the panels can also be changed. Each combination would represent a single page. The work was done on post-its to make the combinations possible (since they weren’t too sticky).

The goal was not to represent every possible combination (that would result in 216 pages), but rather to try to find combinations that inform each other into a larger arch or narrative. The finished product is four pages I felt presented the strongest story.

Repeating backgrounds recombined with characters at different ages can give a sense of time and sometimes suggest a flashback.  Having a text appear as internal thought and later expressed in a dialog bubble represents a sort of mulled trajectory of ideas.  At least, that is my hope.

“Chiggers” can be read in full in the e-publication Decomposing Summer at super keen but.if.and.that.

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“Game for Anything” Leftovers

Drew this for Matthea Harvey‘s poem “Game for Anything” that I comic-ed for Loaded Bicycle. I didn’t put it in the final comic because even though it came out well, the face didn’t look at all right for the character. Eh, what are you going to do?

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raccoon renaissance – Prisoner’s Constraint (full comic)

raccoon renaissance
eunice, moreover i, never saw a raccoon renaissance
since, nor a neon moon rise so serious no crow
can vie. eunice can mime
mosses or oozes, rear in a swarm-o-
uneasiness, even crane in a worm’s manner.

our zaniness moves enormous as viruses.

eunice was never a moose, a raven or a unicorn. i was.
we murmur our universes in unison.

This poem was written using the oulipian prisoner’s constraint. This constraint prohibits you from using letters with arms or tails (b, d, f, g, h, j, k, l, p, q, t, or y).

The comic was an introductory attempt for me to start using constraints in my graphic-poems. Constraint produced comics are the hallmark of the OuBaPo. I felt the comics equivalent of the prisoner’s constraint would be to make a comic that did not have any portion of any character outside of the frame. This, however, did not prove very constraining and wasn’t a very difficult challenge. I’m still happy with the result but will have to attempt something more limiting in the future.

More on OuBaPo:
OuBapo America

Drunken Boat – OuBaPo

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